Hat, Hand, or Boot?
How We Hold the Food
The Vegan Cannibalism project explores how dining ritual can serve as a medium to raise awareness about the understanding of human consumption cycle. Working together with Long Prawn for Melbourne Design Week, the research examines how raw ingredients are processed from the earth, cultivated, and constructed into beautiful dishes in a cohesive space.
It addresses our responsibility as humans to transform food waste or leftovers into something new to be consumed and/or composted, and ultimately contributing to our environmental impact and sustainability.
This project studies a human-earth connection, through food architecture and earth materiality, building into the construction of a dining ritual, fostering a conscious experience of the interaction with the design of food, the table,
the crockery, and the seating within the entire dining cycle.
To examine the research, the method involves the exploration from selected case studies. It analyses the interior and/or exterior spaces, the interaction that we could build through objects and space, and also integration of technology together to build a cohesive mindful experience. The study aims to produce a mindful architectural dining experience that communicates the cycle of human consumption through food architecture and design.
This shows how dining rituals can raise public awareness about sustainability and our consumption habits. By combining design and culinary practices,
it highlights how thoughtful interactions with food and space can strengthen human connection to the environment, as well as it encourages new ways to reduce food waste and promotes sustainable living.

Mutiara, Alyssa. Hat, Hand, or Boot Event. May 24, 2025
The plate design was examined using clay through hand-building techniques, such as wedging, pinching, pressing, and hand forming to achieve human-touch and organic forms. The first idea of the plate developed into a bump in the middle of the rectangle flat plate. The ball figure intentionally made to attract and to secure the food, as well as to hold any flatware.
The second piece of the trial was created by inversing the stand on top of the plate, aimed to secure the food from the corners. Further development of the plate incorporated a piercing on the sides as a stand and food holder, then retaining the bump effect in the middle to hold the contents.
Melbourne Design Week 2025 Dining Exhibition presented by RMIT Interior Design, Long Prawn, and Emerald Wise Studio.



Crafting clay into functional crockery presents a challenge for everyone, encouraging diverse conceptualisation. My individual objects were fired, clear glazed, and used appropriately at the event. These pieces effectively held the food and served as central dishes of the table. Each plate was fired with the same glazing color, creating a cohesive appearance among the objects. All plates were beautifully displayed and served to the participants, enhancing the dining experience.



Mutiara, Alyssa. Individual Plate. June, 2025


Mutiara, Alyssa. Hat, Hand, or Boot Event. May 24, 2025
