The Reverence

The Reverence is a spatial journey exploring the human act of honoring life — guided by organic distortions and sculptural sound instruments, visitors move through abstracted zones of reflection: from moments of stillness to spaces of resonance.
This space is designed to invite a moment of appreciation and closure. We encourage visitors to slow down and consider the experience as a whole — not only as an exhibition of objects and space, but as a personal and emotional journey. Whether used for theatrical performance, spoken word, or simply a moment of stillness, The Reverence honors the human presence in the space.

A Place We Call it Home is a quiet moment of grounding, features a clerestory openings and slanted ceilings that gently draw natural light across the curves of the space, creating a subtle interplay of shadows.Walls embrace and softly distorted, encourage visitors to slow down, to listen, and to feel. The sound sculpture suspendedin the space, with its glass rods and folded metal surfaces, resonates with delicate vibrations, reminiscent of the Baschet instruments, evoke fragility and resonance, as a meditative invitation to reconnect with oneself. It is not a replica of home, but a symbol of emotional belonging.


The Existence is a contemplative point of arrival, featured a long narrow skylight that enhance the sense of openness. This is an invitation to begin the journey, not in haste, but with stillness. As we stand here, we are not yet “somewhere” — we are simply here. This area is framed by raw, organic bump walls that ground us in presence, their muted imperfections translate the vulnerability of being human. A narrow opening in the ceiling, allowing natural light to penetrate as a symbolic gesture — a quiet metaphor for awareness, divinity, or consciousness piercing the self.



In Searching of Light, a long transitional darker space features full-length glass strings to filter and fracture the lights. We are guided by atmosphere to continue our journey through the distorted ground and distorted metal walls at the end of the room. This is an invitation to walk and reflect, to move between and beyond the light, and what lies beneath our feet.


Mutiara, Alyssa. Distorted Visual Development. June, 2025
